On chipped merlons and furbished bastions sun stoops like a darban out of habit hinging on a creaking arm of history the getaway smells of broken bricks in cold vestibule a chandelier swings with stories of hangings the Persian panegyrics echo through the porous ceilings in crowned pavilions winds spill tales from friezes and goblets.
The twilight sits like a dozing sentinel guards filigreed curtains of harems where flabby courtesans stretch their aging bodies eunuchs giggle after girls running errands in hennaed palms their anklets resound on marbled floors and hearts of the spent queen stowed in palanquins and divans
the candles lit their faces but the fort lowers in darkness like a maqta in ghazal.
In Urdu ghazal maqta is the last couplet in which a poet uses his pseudonym.